Posts Tagged ‘Yoshio Tsuchiya’


Monster Zero

June 26th, 2009 | article by | No Comments »
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a.k.a. INVASION OF ASTRO MONSTER / GODZILLA VS. MONSTER ZERO / KAIJU DAISENSO
Toho Co. Ltd [1965] 96′
country: Japan
director: ISHIRO HONDA
cast: AKIRA TAKARADA, NICK ADAMS,
cast: AKIRA KUBO, KUMI MIZUNO

It’s confession time here at Wtf-Film. When I was growing up in the late 80′s and early 90′s I saw all of the regularly syndicated Godzilla films, be it MEGALON or GIGAN making their rounds on the local UHF or the UPA editions of TERROR OF MECHAGODZILLA and the film reviewed here today filling up time slots at TNT. As a youngster my quotient for wanton kaiju destruction seemed endless, but MONSTER ZERO tested it time and time again – I fell asleep more than my fair share of times while watching it, and can only claim to have seen it all the way through on a handful of occasions. More recently I had the opportunity to view it again, both via the ancient Simitar DVD release and the much newer Classic Media disc from last year – the results were, unfortunately, much the same.

Very recently, Toho, courtesy of the Japan Specialty Movie Channel, unveiled their brand new high definition restoration of this, as well as the other Godzilla films from 1954 to 1975 – effectively giving me an opportunity to make good and realize why this film proves to be the fan favorite it is, just in time for my first annual Kaiju Christmas Spectacular.

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Yog: Monster From Space

December 19th, 2008 | article by | No Comments »
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a.k.a. Gezora Ganime Kameba Kessan! Nankai no Daikaiju / Space Amoeba
company: Toho Co. Ltd
year: 1970
runtime: 84′
country: Japan
director: ISHIRO HONDA
cast: Akira Kubo, Atsuko Takahashi,
Yoshio Tsuchiya, Kenji Sahara
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The end of the 60′s was also the end of the Golden Era of Japanese tokusatsu. 1967 had come and gone with it’s kaiju boom in which every single major studio in Japan had released a monster movie. Toho had tried to end the Godzilla series in 1968 with DESTROY ALL MONSTERS for naught. Their collaboration with the Americans for LATITUDE ZERO [1969] had gone to seed, and even worse the film did poorly at the box office, resulting in the next Godzilla movie to be constructed of stock footage and aimed squarely at children. And now, refusing to slow down and take his doctor’s orders, the God of Special Effects, Eiji Tsuburaya, had literally worked himself to death. This is the stage set for Toho’s next monster foray.

Over footage of a brilliant sunset and a remarkably fake-looking rocket, an announcer tells us about how man is beginning to explore outer space. The rocket—one Helio 7—succeeds in making its way into space on a course for Jupiter to study the gas giant. However, once in deep space, Helio 7 is invaded by a gaseous cloud of glowing blue dots which proceeds to take over its mechanics. Helio 7 summarily turns around and heads back for earth.
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