Posts Tagged ‘Tokusatsu’


The Golden Bat

July 1st, 2008 | article by | No Comments »
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a.k.a. Ogon Batto
Toei Co. Ltd [1966] 72′
country: Japan
director: HAJIME SATO
cast: SONNY CHIBA, HIROSHI NAKATA,
cast: ANDREW HUGHES, REIKO KASAHARA

Poor young Akira – after spending night after night star gazing and single-handedly discovering that the planet Icarus is on a collision course with Earth, no one in the grown-up world believes him. The police think he has an overactive imagination and the astronomers at the local observatory simply refuse to take his claim seriously for no reason other than that it sounds silly. Just when Akira’s day can’t seem to get any worse, a group of sunglass-and-suit donning henchmen show up and drag him to an isolated chateaus in the Japanese Alps.

There he discovers something he never though possible – an uber-cool super lab funded by the UN under the cover name of the Pearl Institute and existing, seemingly, for the sole purpose of spying on amateur Japanese astronomers, building fantastical weapons (the Super Destruction Beam Cannon!), and saving the Earth from threats like, say, renegade planetary bodies under the control of evil spacemen. After a brief introduction to the facility by Dr. Yamatone (Sonny Chiba!), Akira agrees to join forces with them. The first order of business is to complete the Super Destruction Beam Cannon by locating appropriate material from which to fashion a lens.

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Battle in Outer Space

October 19th, 2007 | article by | No Comments »
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a.k.a. Uchu Daisenso
(literal: Great Space War)
company: Toho Co. ltd.
year: 1959
runtime: 93?
director: Ishiro Honda
cast: Ryo Ikebe, Kyoko Anzai,
Koreya Senda, Yoshio Tsuchiya
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Toho Co. LTD released no giant monster films in the year of 1959, evidence of their temporary trending away from such films at the end of the 1950′s. While the years between 1954 and 1956 had seen the inception of such creatures as Godzilla, Anguirus, and Rodan, the years that followed from 1957 to 1963 were comparatively slim on such things (Toho’s kaiju craze would pick up at full steam in 1964, with the production of no fewer than three monster-oriented films that year alone).

The interim years from 1957 to 1960 proved an experimental time for the company as far as science fiction and fantasy productions were concerned. Some of these experiments – including the genuinely creepy little gangster / horror effort BIJO TO EKITAININGEN [THE H-MAN; 1958] – were quite successful in their own right, but it was the breakthrough science fiction / action spectacular CHIKYU BOEIGUN [THE MYSTERIANS; 1957] that would set the course for Toho’s larger budgeted fantasy efforts for the years to follow. That film brought the creative team of director Ishiro Honda, composer Akira Ifukube, special effects master Eiji Tsubaraya, and producer Tomoyuki Tanaka back to the forefront of science fiction cinema and, by virtue of its success, all but guaranteed something in the way of a sequel.

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