Posts Tagged ‘The Criterion Collection’


Antichrist

July 3rd, 2011 | article by | No Comments »
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Year: 2009  Company: Zentropa Entertainment   Runtime: 109′
Director: Lars von Trier   Writer: Lars von Trier   Cinematography: Anthony Dod Mantle
Music: Kristian Eidnes Andersen  Cast: Willem Dafoe, Charlotte Gainsbourg
Disc company: The Criterion Collection   Video: 1080p 2.35:1    Audio: DTS-HD MA 5.1 English
Subtitles: English   Disc: BD50 (Region A)   Release Date: 11/09/2010   Product link: Amazon.com

Note: This Blu-ray review is an update of an article I originally published in 2009, and in which I discuss the film at greater length and in more detail than is the norm. As such I feel it pertinent to warn that this article may contain SPOILERS.  If you’re inclined to be bothered by such things I recommend seeing the film before proceeding further.

An unnamed couple (Dafoe and Gainsbourg) lose their child in a horrific accident (falling from their apartment window as He and She make love) and She, stricken with crippling grief, is hospitalized.  He, a therapist, disagrees with her doctor’s diagnosis of her grief as atypical and, convinced he knows his wife better than anyone, has her released into his care.

She is forced to flush her medication and confront her grief head-on, culminating in He taking her on a therapeutic trip to Eden – a cabin in the woods in which She and her son had spent the previous summer . . .

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SALÒ or the 120 Days of Sodom

July 7th, 2009 | article by | No Comments »
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a.k.a. SALÒ o le 120 giornate di sodoma / Pasolini’s 120 Days of Sodom
company: United Artists
year: 1975
runtime: 116′
country: Italy
director: Pier Paolo Pasolini
cast: Paolo Bonacelli, Giorgio Cataldi,
Umberto P. Quintavalle, Aldo Valletti,
Caterina Boratto, Elsa De Giorgi,
Helene Surgere, Sonia Saviange
writers: Pier Paolo Passolini,
Sergio Citti and Pupi Avati
cinematographer: Torino Delli Colli
music: Ennio Morricone
Order this film from Amazon.com

The great Pier Paolo Pasolini’s final film, which would not premiere until well after the director himself had been murdered under circumstances still being investigated today, seems as though it were ready made for courting  controversy.  Deeply political and disquietingly perverse, the film transposes Marquis de Sade’s The 120 Days of Sodom [written while he was imprisoned in the Bastille] upon a short-lived fascist Republic that existed in Italy towards the end of the second World War.  The narrative is a graphic rebellion against what Pasolini saw as a new fascism in his own time – the global consumerism the director felt was destroying Italian society before his very eyes.  SALÒ concerns the commodification of the body, the human capacity to conform, and the terrible consequences of un-restricted power.  It’s one of the only genuinely horrifying films I’ve ever seen.

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