Posts Tagged ‘Max Von Sydow’


Flash Gordon

July 28th, 2010 | article by | No Comments »
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film rating:
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company: Universal Pictures
year: 1980
runtime: 111′
director: Mike Hodges
cast: Sam Jones, Melody Anderson,
Topol, Max Von Sydow,
Timothy Dalton, Brian Blessed,
Omella Muti, Peter Wyngarde
writers: Lorenzo Semple Jr.
and Michael Allin
cinematography: Gilbert Taylor
music: Queen
and Howard Blake (orchestral)
Order this disc from Amazon.com

Plot: Football superstar Flash Gordon (Sam Jones) and journalist Dale Arden (Melody Anderson) are swept to the world of Mongo by overzealous scientist Dr. Zarkov (Topol) to stop evil Emperor Ming’s (Max von Sydow) fiendish plot to smash the Earth to atoms.

Based on the eponymous comic by Alex Raymond and owing a considerable debt to the 1936 serial starring Buster Crabbe, this big budget flop from producer Dino De Laurentiis is a picture with a bit of an identity crisis. Earnestly directed by Mike Hodges from a knowingly camp screenplay by Lorenzo Semple Jr. (Batman: The Movie), Flash Gordon never quite makes up its mind as to which it would prefer to be, though that doesn’t keep it from being a lot of fun along the way. Bolstered by outlandish art deco-inspired production design by Danilo Donati (Salo, or the 120 Days of Sodom) and a raucous rock score by Queen, the film has become something of a cult classic in the thirty years since its original release and remains an extravagantly ludicrous experience unto itself.

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Solomon Kane

July 2nd, 2010 | article by | 2 Comments »
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company: Davis-Films
year: 2009
runtime: 104′
director: Michael J. Bassett
cast: James Purefoy, Samuel Roukin,
Rachel Hurd-Wood, Alice Krige,
Pete Postlethwaite, Max von Sydow
writer: Michael J. Bassett
cinematography: Dan Laustsen
music: Klaus Badelt
Not on home video in the USA

It’s the year 1600. Mercenary captain Solomon Kane (James Purefoy) is a rather nasty man with a mean disposition, but of excellent talent in the killing arts. While on one of his plunder and pillage escapades with his men, Kane meets a large, faceless charmer of a guy wielding a flaming sword who introduces himself as “the devil’s reaper”, come to bring Kane’s soul to where it belongs.

With luck, the mercenary survives his fight with the creature and escapes. One year later, the film finds its protagonist in England, where he is spending time in a monastery. Which is quite an achievement seeing that there were no monasteries in England at that time anymore; scriptwriters of period pieces should sometimes look into a history book of the era their movies take place in.

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