Posts Tagged ‘Horror’


Contagion

July 29th, 2011 | article by | No Comments »
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Year: 1987    Runtime: 91′  Director: Karl Zwicky
Writer: Ken Methold  Cinematography: John Stokes   Music: Frank Strangio
Cast: John Doyle, Nicola Bartlett, Ray Barrett, Nathalie Gaffney, Pamela Hawkesford

Real estate agent Mark (John Doyle) is driving through the Australian bush when he sees a woman being kidnapped by your typical rape-hungry backwoods person. The following rather timid rescue attempt doesn’t work out too well for Mark, for the backwoods guy isn’t alone. A few minutes later, Mark finds himself stretched over his own car’s hood and raped by a guy who dresses up in a mouse mask for the occasion.

Afterwards (we don’t get to see the rape), the backwoodsies (that’s the technical term, I think) take Mark and the girl to their camp. In a surprising twist of fate, Mark manages to escape after a time and even stumbles into killing one of his tormentors. Next thing he knows, Mark finds himself – still in the bush – breaking down in front of an aggressively blasé woman named Cleo (Nathalie Gaffney). Unimpressed by the backwoods rapist threat, Cleo takes Mark to a mansion where she lives with another girl called Helen (Pamela Hawkesford) and an older guy with an upperclass accent and Hugh Hefner’s dress sense (that is, none) called Rupert (Ray Barrett).

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Things

July 12th, 2011 | article by | No Comments »
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Year: 1989   Company: Left Field Productions   Runtime: 84′
Director: Andrew Jordan, Barry J. Gillis   Writers: Andrew Jones, Barry J. Gillis   Cinematography: Dan Riggs
Music: Stryk-9, Familiar Strangers, Jack Procher, Barry J. Gillis   Cast: Barry J. Gillis, Amber Lynn, Bruce Roach,
Doug Bunston, Jan W. Pachul, Patricia Sadler, Gordon Lucas, Bruce Hamilton, Daryn Gillis, Jessica Stewarte
Disc company: Intervision Pictures Corp.   Video: 480i / 4:3    Audio: Dolby Digital 2.0 English
Subtitles: None   Disc: DVD9   Release Date: 07/12/2011   Reviewed from a screener provided by Intervision Pictures Corp.  Available for purchase at Amazon.com

Motivated by the uptick in straight-to-video productions originating from the United States and itching to honor their favorite horror directors with a gruesome tale of their own, a handful of Canadians with no discernible talent for production, writing, special effects, direction or performance scrounged together a budget and some Super 8mm shooting equipment and went to work.  The end result, released directly to rental VHS in 1989, was Things, 84 minutes of graphic violence and unbridled stupidity that feels more like an acid trip interrupting a drunken stupor than a film.  To say that Things is dreadful is to understate its case to a degree that borders on the criminal, and while it may not be the worst film yet produced on this Earth it certainly earns points for trying.

So.  What is Things about?  I honestly haven’t the faintest idea.  Though purported to have been written (the stilted line readings would seem to bear this out) there is absolutely no story to speak of here.  Things is, instead, a collection of continuity-defying sequences that amount to precisely nothing in the end.  For instance, the film’s only name attraction, porn star Amber Lynn in one of her few non-sex roles, is limited to a handful of abysmal newsroom scenes (photographed in 16mm on a tiny set, with Amber reading all of her lines in the most obvious manner possible) that have little, if any, connection to the rest of the material.  In this regard the title seems most appropriate – this isn’t a film about anything, it’s a film about Things.

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Prikosnoveniye

July 8th, 2011 | article by | No Comments »
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a.k.a. (The) Contact
Year:
1992    Runtime: 92′  Director: Albert S. Mkrtchyan
Writer: Andrei Goryunov  Cinematography: Boris Kocherev   Music: Leonid Desyatnikov
Cast: Aleksandr Zuyev, Maryana Polteva, Vsevolod Abdulov, Igor Pushkaryov, Aleksandra Kharitonova

Olga Nikolayevna kills her little son Kolya and then herself. Andrey (Aleksandr Zuyev), the most laid-back and friendly cop in Russia, gets on the case. His investigation leads the policeman to Olga’s lover. At first, the man – who has an undefeatable alibi – tries to warn Andrey off from any further enquiries, but when the cop persists and waves off any danger, the man explains that he knows well why Olga and Kolya died: Olga’s father had convinced her that the afterlife needed her, life on Earth being no good anyhow, and after a long time, she agreed. The most troubling part of that story is the fact that Olga’s father has been dead for twelve years. Supposedly, the father’s shrouded ghost had been visiting his daughter regularly for years.

Shortly after their talk, Andrey’s witness hangs himself.

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Antichrist

July 3rd, 2011 | article by | No Comments »
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Year: 2009  Company: Zentropa Entertainment   Runtime: 109′
Director: Lars von Trier   Writer: Lars von Trier   Cinematography: Anthony Dod Mantle
Music: Kristian Eidnes Andersen  Cast: Willem Dafoe, Charlotte Gainsbourg
Disc company: The Criterion Collection   Video: 1080p 2.35:1    Audio: DTS-HD MA 5.1 English
Subtitles: English   Disc: BD50 (Region A)   Release Date: 11/09/2010   Product link: Amazon.com

Note: This Blu-ray review is an update of an article I originally published in 2009, and in which I discuss the film at greater length and in more detail than is the norm. As such I feel it pertinent to warn that this article may contain SPOILERS.  If you’re inclined to be bothered by such things I recommend seeing the film before proceeding further.

An unnamed couple (Dafoe and Gainsbourg) lose their child in a horrific accident (falling from their apartment window as He and She make love) and She, stricken with crippling grief, is hospitalized.  He, a therapist, disagrees with her doctor’s diagnosis of her grief as atypical and, convinced he knows his wife better than anyone, has her released into his care.

She is forced to flush her medication and confront her grief head-on, culminating in He taking her on a therapeutic trip to Eden – a cabin in the woods in which She and her son had spent the previous summer . . .

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Zombi Holocaust

July 1st, 2011 | article by | 14 Comments »
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a.k.a.: Zombie Holocaust, Dr. Butcher M.D.
Year: 1980  Company: Flora Film, Fulvia Film, Gico Cinematografica   Runtime: 84′
Director: Marino Girolami   Writers: Fabrizio De Angelis, Romano Scandariato, Marino Girolami
Cinematography: Fausto Zuccoli   Music: Nico Fidenco  Cast: Ian McCulloch, Alexandra Delli Colli,
Sherry Buchanan, Peter O’Neal, Donald O’Brien, Dakar, Walter Patriarca, Linda Furnis, Roberto Resta
Disc company: Media Blasters / Shriek Show   Video: 1080p 1.78:1    Audio: DTS-HD MA 2.0 English
Subtitles: None   Disc: BD50 (Region A)   Release Date: 06/28/2011   Product link: Amazon.com

Let me put this as simply and directly as I know how – Zombi Holocaust is a stupid, stupid film.  This is not opinion, but incontrovertible truth.  It may also be the quintessential example of the cannibalistic tendencies of the Italian genre film movement of the ’70s and ’80s, in which past successes were imitated and emulated as early and as often as possible.  Zombi Holocaust is one of the more shamelessly commercial of the lot, a transparent re-working of Fulci’s 1979 opus Zombi 2 and Deodato’s grotesque masterpiece Cannibal Holocaust, which saw release less than two months before this film in 1980.

Though its chief inspirations are two of the undisputed classics of Euro-shock cinema, it should come as no surprise that Zombi Holocaust is rarely anything more than cheap and silly.  The story, credited to director Marino Girolami (father of Italian cult cinema icon Enzo G. Castellari), producer Fabrizio De Angelis and assistant director Romano Scandariato, concerns a New York City Department of Public Health investigation (led by Brit Ian McCulloch, star of Zombi 2, and sexpot Alexandra Delli Colli, The New York Ripper) into random acts of cannibalism within the city.  The investigation leads McCulloch, Delli Colli and company to a remote South Seas island where primitive cannibals roam free and a mad doctor (Donald O’Brien) works to create an army of undead slaves.

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A Whisper in the Dark

June 3rd, 2011 | article by | No Comments »
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a.k.a. Un sussurro nel buio
Year:
1976    Runtime: 103′  Director: Marcello Aliprandi
Writers: Marisa Teresa Rienzi, Nicolo Rienzi  Cinematography: Claudio Cirillo  Music: Pino Donaggio
Cast: Nathalie Delon, John Philip Law, Alessandro Poggi, Olga Bisera, Joseph Cotten, Lucretia Love

A rich Italian family lives the life of the rich and idle in their palatial mansion in the country. Things aren’t quite as perfect as they seem, though. It’s not just that family father Alex (John Phillip Law) is something of a jerk who cheats on his wife Camilla (Nathalie Delon) with a friend of hers who is staying as a house guest, or that the regularly visiting grandmother is a nasty old bint hiding her unpleasant interior behind impeccable manners, or that the family’s two daughters make eardrum-shattering screeching noises whenever they open their mouths, or that Camilla’s nerves are so on edge that she’s bound to become the sort of hysteric that only exists in the mind of Freudians and filmmakers one day. No, all that is minor trouble when compared to the family’s true problem.

Their little son Martino (Alessandro Poggi), you see, has an invisible friend called Luca on whom he seems to be more fixated than can be seen as healthy, but, quite unlike most invisible friends, Luca has a way of making his presence known physically. Luca moves objects around often enough to have Camilla and the nanny Francoise (Olga Bisera) believe the invisible child is more than just a figment of Martino’s imagination. What’s even more disturbing for Camilla is the fact that the name her son has given to his invisible playmate is the same she and Alex had given the stillborn boy they had before Martino, something the kid shouldn’t know about at all.

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Shingeki no Kyojin – Attack on Titan

June 1st, 2011 | article by | No Comments »
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publisher:
Kodansha,
Shonen Magazine Comics
year: 2009 – 2011 (continuing)
author: Hajime Isayama
Order this book from Amazon.co.jp

From the city stomping of Godzilla and friends to the flatly apocalyptic scenarios of The Last War, Vampire Gokemidoro and Virus, and beyond, the Japanese appetite for fictitious destruction on a near cosmic scale is insatiable.  It’s a fact that’s unsurprising given that disasters of untold magnitude (from the aftermath of WWII to the omnipresent threat of earthquakes, volcanic eruptions and tsunamis) are as much a part of the country’s national identity as cherry blossoms and kimonos.  I suppose that it’s likewise unsurprising to find, in the shadow of nuclear crisis and one of the largest earthquakes in recorded history, that Hajime Isayama’s bleak manga debut Shingeki no Kyojin (literally Advance of the Giants, and subtitled Attack on Titan) has become a smash success.

I have to admit that, while I’ve certainly been aware of the medium, I’d never actually read a manga, nor had I wanted to, until word of Isayama’s bestseller came my way, and the reasons for my interest are as transparent as can be.  Shingeki no Kyojin, which concerns the last remnants of humanity and their fight for survival against an army of man-eating giants, just sounded neat, and the series’ status as a bestseller (its four volumes have sold more than 4.5 million copies to date) certainly helped its case.  I never imagined that the story, or the format in which it was presented, could ever be so engrossing, but so it was that I blazed through the first two volumes in a single pulse-pounding evening.  Color me hooked.

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Cat Girl

May 27th, 2011 | article by | No Comments »
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Year: 1957    Runtime: 70′  Director: Alfred Shaughnessy
Writers: Lou Rusoff  Cinematography: Peter Hennessy
Cast: Barbara Shelley, Robert Ayres, Kay Callard, Ernest Milton, Jack May, Lily Kann, Paddy Webster

After nine years away, Leonora Johnson (Barbara Shelley) returns to her ancestral home on insistence of her uncle Edmund Brandt (Ernest Milton). Leonora has bad memories of the place and her uncle’s habit of making her life a decidedly cheerless one. Why, he even managed to torpedo her love to student of medicine Brian Marlowe (Robert “Bland” Ayres). Somehow, the end of her first big love had set Leonora on a path to a horrible taste in men (not that Brian’s exactly like winning the lottery, as we will see), and now she’s freshly married to Richard (Jack May), a semi-professional gold digger who is such a prick he even takes his not-so-secret lover Cathy (Paddy Webster) with them on the visit to Uncle.

As luck will have it, Leonora meets Brian again right before she arrives at her uncle’s. Brian is now a full-grown psychiatrist (though, as it will later turn out, a crap one) and happily married to Dorothy (Kay Callard), which comes as a bit of a shock to Leonora who is quite obviously not at all over her love for the guy.

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Beyond the Darkness

May 26th, 2011 | article by | No Comments »
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a.k.a.: Buio Omega / Blue Holocaust / Buried Alive / In quella casa Buio Omega
Year: 1979   Company: D. R. Communications   Runtime: 94′
Director: Joe D’Amato   Writers: Ottavio Fabbri, Giacomo Guerrini   Cinematography: Joe D’Amato
Music: Goblin   Cast: Kieran Canter, Cinzia Monreale, Franca Stoppi, Sam Modesto, Anna Cardini,
Lucia D’Elia, Mario Pezzin, Walter Tribus, Klaus Rainer, Edmondo Vallini, Simonetta Allodi
Disc company: Media Blasters / Shriek Show   Video: 1080p 1.78:1    Audio: DTS-HD MA 2.0 English
Subtitles: None   Disc: BD50 (Region A)   Release Date: 04/19/2011   Product link: Amazon.com

Media Blasters first announced that it intended to release Joe D’Amato’s magnum opus on Blu-ray more than a year ago, in early spring of 2010.  The news was met with an uneasy mix of joy and trepidation, the former of which slowly whittled away as release date after release date came and went with nary a sign of the disc itself.  The company has blamed the delays on the time it took to get their hands on quality materials for the film, a process that took far longer than anticipated, but whatever the case may be the damage was already done.  Many fans were expecting a mess of epic proportions should the release ever materialize at all.

But materialize it did earlier this month, when retailers and third party sellers were suddenly found to have the title in stock.  Initial press has been far from positive, bemoaning lost footage and audio deficiencies with an unexpected venom, assuring, with anger to spare, that the mess so many expected had at long last arrived.  I have to admit that I completely lost interest in this release as the delays started piling up, but the vitriol with which Beyond the Darkness‘ high definition debut has been received has piqued my curiosity once more.  And so, I put in an order for the title myself, wondering all the while what digital horrors might await me.

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Contamination .7

May 23rd, 2011 | article by | 3 Comments »
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a.k.a. Creepers / The Crawlers / Troll III
Year: 1990   Company: Filmirage   Runtime: 91′
Director: Joe D’Amato, Fabrizio Laurenti   Writers: Daniele Stoppa, Fabrizio Laurenti, Albert Lawrence, Rosella Drudi   Cinematography: Francisco J. Madurga   Music: Carlo Maria Cordio   Cast: Mary Sellers, Jason Saucier, Bubba Reeves, Chelsi Stahr, Vince O’Neil, Billy Buttler, Lord Chester, Patrick Collins, Edy Eby
Available on OOP VHS from Epic Home Video, or as streaming video vis Netflix Instant Viewing.

It’s never a good sign when a film is most popularly known for being a member of the dubious Troll franchise, particularly when the film in question has nothing to do with tiny mythical monsters or their wily ways.  Such is the case with Contamination .7, a cheapo Filmirage sci-fi horror whose only connection to the Troll empire are a few crew members and a penchant for being immeasurably dreadful.  Never mind that I could find no corroborating evidence for Contamination .7 ever actually being released as Troll III (a title also bestowed upon D’Amato’s confoundedly inept Ator sequel Quest for the Mighty Sword- the name has stuck with the online community and, for this film, that’s good enough.

A tasteless mix of inert drama, The China Syndrom-style conspiracy claptrap, and limp mutant monster mayhem, Contamination .7 (or whatever you want to call it) concerns an ill-defined and unnamed small town in the American West whose very existence is threatened when illegal toxic waste dumping by a nuclear plant causes local trees to sprout evil carnivorous roots.  That’s right. Evil… carnivorous… roots.

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The Abominable Snowman

May 6th, 2011 | article by | 1 Comment »
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Year: 1957    Runtime: 86′   Director: Val Guest
Writers: Nigel Kneale  Cinematography: Arthur Grant   Music: Humphrey Searle
Cast: Peter Cushing, Forrest Tucker, Maureen Connell, Richard Wattis, Arnold Marlé, Robert Brown, Michael Brill

Botanist Dr. John Rollason (Peter Cushing), his wife and colleague Helen Rollason (Maureen Connell), and his friend and colleague Peter Fox (Richard Wattis) are spending time in a monastery in the Himalayas to catalogue the local plant life. That the whole botanical business isn’t the only reason for Rollason’s stay becomes clear when another small expedition, led by the very American Tom Friend (Forrest Tucker), arrives.

John has been hiding from his wife that he’s been in contact with Friend to help him in an expedition to the least explored parts of the mountain to find one of John’s hobby horses there – the Yeti. Helen is less than amused by her husband keeping this dangerous climbing trip a secret from her until there’s no way to keep it secret anymore, especially because the last large scale climbing John took part in nearly killed him and caused him to swear off mountaineering completely. It doesn’t help John’s case that Helen doesn’t believe in the Yeti at all.

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Paganini Horror

April 28th, 2011 | article by | No Comments »
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Year: 1989    Runtime: 80′   Director: Luigi Cozzi
Writers: Luigi Cozzi, Daria Nicolodi, Raimondo Del Balzo  Cinematography: Franco Lecca
Music: Vince Tempera   Cast: Jasmine Maimone, Maria Cristina Mastrangeli, Daria Nicolodi,
Donald Pleasence, Pascal Persiano, Pietro Genuardi

The career of 80s synth rock monstrosity/siren Kate (Jasmine Maimone) seems to come to its natural end. At least if you ask her producer Lavinia (Maria Cristina Mastrangeli), who has turned into quite a bitch from suffering through hours and hours of Kate’s “music” during the years, and so really doesn’t mind telling her charge how much she sucks. To make a long story short – Kate really needs a hit, and she needs it soon. Fortunately, her drummer Daniel (Pascal Persiano) knows a simple solution to his friend’s complicated problem, and buys a lost, never published and never publically performed song of possible devil dealer Paganini from a certain Mister Pickett (Donald Pleasance). The song, obviously being called “Paganini Horror”, just happens to be a really crappy 80s synth rock of the sort Lavinia deems a surefire hit.

Now Kate and her partners in crime just need to make a video (“just like Michael Jackson’s fantastic Thriller“). For that, they hire famous horror director Mark Singer (Pietro Genuardi), who works alone, just like Wolverine. But where to shoot? Oh, right, in a derelict house in Venice that once belonged to Paganini where he supposedly made his pact with the devil and made violin strings from his girlfriend’s guts. It’s going to be quite a cost-efficient shoot – apart from Singer, Kate and her three co-musicians and Lavinia, there’s only the house’s owner, Sylvia Hackett (Daria Nicolodi), on set. Soon enough, the mandatory horrible things (and I don’t just mean Kate’s music) start happening.

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Evil Face

April 8th, 2011 | article by | No Comments »
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a.k.a.: The Hand That Feeds the Dead / La mano che nutre la morte
Year:
1974    Runtime: 90′   Director: Sergio Garrone
Writer: Sergio Garrone  Cinematography: Emore Galeassi  Music: Stefano Liberati, Elio Maestosi
Cast: Marzia Damon, Klaus Kinski, Erol Tas, Katia Christine, Stella Calderoni, Ayhan Isik

(Not to be confused with Le Amanti Del Monstro aka Lover of the Monster made in the same year, by the same director, with mostly the same cast, shared footage and even shared character names; don’t ask, it’s the Italian exploitation industry at the absurd height of its power, so everything’s possible).

Ye Olden Days. Mad scientist Professor Nijinski (Klaus Kinski) has quite an interesting household. His wife Tanja (Katia Christine) is the daughter of his former mentor Ivan Rassimov (yes, exactly like the actor), and has been disfigured in a fire that killed her dad. Normal medicine can’t help Tanja get her old skin back, but fortunately, daddy was a pioneer in skin transplantation, alas a rather primitive kind that for some inexplicable reason not only takes skin but also all of a donor’s blood to work. Fortunately for Tanja, her husband does not have too many scruples, and his assistant, a lame, slightly hunchbacked mute named Vanja (the great Turkish bad guy actor Erol Tas) does have even less. Vanja’s enthusiasm for the work might have something to do with him and Tanja having an affair behind Nijinski’s back - that is, when Tanja isn’t just torturing Vanja’s ears with a tuning fork. Anyway, with two strong mad men on her side, there are always enough young women to go around to build a new skin for her.

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Action Packed Double Feature (Dirty Mary Crazy Larry / Race With the Devil)

April 5th, 2011 | article by | 3 Comments »
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Dirty Mary Crazy Larry – Year: 1974   Company: 20th Century Fox   Runtime: 93′
Director: John Hough   Writers: Leigh Chapman, Antonio Santean, James H. Nicholson, Richard Unekis
Cast: Peter Fonda, Susan George, Adam Roarke, Vic Morror, Kenneth Tobey, Roddy McDowall, Eugene Daniels
Race With the Devil – Year: 1975   Company: 20th Century Fox   Runtime: 88′
Director: Jack Starrett   Writers: Lee Frost, Wes Bishop   Music: Leonard Rosenman
Cast: Peter Fonda, Warren Oates, Loretta Swit, Lara Parker, R.G. Armstrong, Clay Tanner, Carol Blodgett
Disc company: Shout! Factory   Video: 480p (1.85:1)   Audio: Dolby Digital 5.1 English (DMCL only),
Dolby Digital 2.0 English (DMCL and RWTD)   Subtitles: None   Disc: 2 x DVD 9   Release Date: 04/12/2011
Product link: Amazon.com Reviewed from a screener provided by Shout! Factory LLC.

Loosely adapted from the novel The Chase (also published under the titles Pursuit and Dirty Mary Crazy Larry) by Richard Unekis, Dirty Mary Crazy Larry follows the exploits of aspiring NASCAR driver Larry and mechanic Deke who, tired of killing time in the amateur racing circuit, decide to take an illegal shortcut to fame and fortune.  The plan is simple: hit a rural grocery store on the morning of their cash delivery and escape into a maze of road and exits to the south.  The robbery goes off with nary a hitch, with threats against the store manager’s family ensuring that the would-be racers have ample time to escape.

Deke and Larry think of everything – everything, that is, except Mary, Larry’s headstrong one night stand from the evening before the robbery.  Looking for a bit of excitement in her dull life, Mary insinuates herself into the duo’s escape, proving to be as much a challenge to the success of the operation as grizzled cop Vic Morrow and his army of highway patrolmen.

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The Black Cat

March 31st, 2011 | article by | 1 Comment »
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a.k.a.: il gatto nero / Demons 6: de Profundis / Demons 6: Armageddon / Dead Eyes
Year:
1989    Runtime: 89′   Director: Luigi Cozzi
Writer: Luigi Cozzi  Cinematography: Pasquale Rachini  Music: Vince Tempera
Cast: Florence Guerin, Urbano Barberini, Caroline Munro, Brett Halsey, Luisa Maneri

Not to be confused with all those other films about black cats, which comes especially easy in this case, because the black cat isn’t important here at all.

Plot? Oh right, there was something kinda-sorta plot-like hidden away in here somewhere. Ah, there it is: Director Marc Ravenna (Urbano Barberini) is trying to re-ignite his faltering career by making a semi-sequel to Argento’s Suspiria (wouldn’t that actually be a semi-sequel toInferno at this point in time?), based on a witch named Levana from an essay in De Quincey’s Suspiria De Profundis. If you just ignore that Levana isn’t actually a witch but a goddess and wasn’t invented by De Quincey, you’ll be as surprised as I was by the realization that someone working on the script for this one might have read the book the film’s talking about (and, going by the inclusion of an actual quote from Poe, even more than just a single book; Italy sure ain’t Hollywood). You can also be sure someone had seen Suspiria, what with parts of that movie’s theme playing on the soundtrack whenever someone mentions it or De Quincey’s book.

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