Posts Tagged ‘Espionage’


Eagles Over London

July 24th, 2010 | article by | No Comments »
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a.k.a. Battle Squadron / La Battaglia D’inghilterra
film rating:
disc rating:
company:
Fida Cinematografica
year: 1969
runtime: 112′
director: Enzo G. Castellari
cast: Frederick Stafford, Van Johnson,
Francisco Rabal, Ida Galli, Luigi Pistilli
disc company: Severin Films
retail price: $34.95
release date: October 13, 2009
disc details: Region A / Single Layer BD25
video: 1080p HD
audio: Dolby Digital 2.0 English
subtitles: none
Order this film from Amazon.com
reviewed from a screener provided
by Severin Films LLC

In 1940 the Nazi army attempts an insidious plot (can a Nazi plot ever be anything other than insidious?). A command of German soldiers, dressed as Englishmen with papers stolen from the recently dead, are to infiltrate England and sabotage a cutting-edge radar system that has been put into operation there. It’s up to the suspicious Captain Stevens (Frederick Stafford, Werewolf Woman) and his unwilling ally Air Marshall Thompson (the very American Van Johnson, Brigadoon), with whose mistress Stevens is having an affair, to foil the plot before it’s too late, and the full force of the Luftwaffe is amassed against them.

From the moment the leader of the German saboteurs (Luigi Pistilli, The Good, The Bad, and the Ugly) angrily demands that his comrades speak English, not German, audiences know just what sort of war film they’re in for.  Pistilli’s order even makes it to the Nazi high command, where the generals inexplicably speak English as well!  The Longest Day this certainly isn’t, but Enzo G. Castellari’s (The Inglorious Bastards) war-epic-cum-pulp-espionage-thriller is no less fun for its brainlessness.

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Inception

July 21st, 2010 | article by | No Comments »
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film rating:
company: Warner Bros.,
Legendary Pictures and Syncopy
year: 2010
runtime: 148′
director: Christopher Nolan
cast: Leonardo DiCaprio, Joseph Gordon-Levitt,
Ellen Page, Tom Hardy, Dileep Rao,
Ken Watanabe, Cillian Murphy,
Tom Berenger, Marion Cotillard
writer: Christopher Nolan
cinematography: Wally Pfister
music: Hans Zimmer
Out in wide release now

If one were looking for proof positive that the Hollywood system is still capable of producing compelling, original work there could be no better example than Christopher Nolan’s refreshing piece of blockbuster filmmaking Inception, which has arrived just in time to save multiplexers from a seemingly endless parade of knock-offs, remakes, reboots and franchise sequels. Inception is a rarity among contemporary big budget fare – a science fiction thriller that deals in big ideas rather than laser blasts and catch phrases, with a strong emotional core to bind everything together.

The big science fiction concept at the heart Inception is a machine that allows its users to plug into the dreams of others, and around which arises a new kind of criminal, dream thieves who construct controlled dreamscapes that allow their targets’ subconscious to manifest in more or less predictable ways. The story follows the best of these, a fugitive named Cobb (Leonardo DiCaprio) who uses his personal proficiency with the technology to commit industrial espionage for high-end clientele.

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