Posts Tagged ‘Crime’


Cure

June 26th, 2009 | article by | No Comments »
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Daiei Co. Ltd. [1997] 111′
country: Japan
director: KIYOSHI KUROSAWA
cast: KOJI YAKUSHO, MASATO HAGIWARA,
cast: TSUYOSHI UJIKU, ANNA NAKAGAWA

A middle aged businessman removes a length of lead piping from a tunnel. Later that day he meets with a prostitute in an average motel room and, without warning, clubs her to death with the piping. So begins the inimitable film experience that is CURE.

One who desires to be on the cutting edge of cinema need not look further than the Japanese indie film movement over the past 10 years or so – directors like Hideo Nakata, Takashi Miike, and Takashi Shimizu have brought the Japanese horror genre – now affectionately referred to as J-Horror – an entirely new sense of respect throughout the world. With CURE, director Kiyoshi Kurosawa has taken the genre that these men helped to popularize and utterly revolutionized it – his revolution would reach near perfection by the time of his apocalyptic film KAIRO [2001].

Though Kurosawa’s film output had been quite prolific in the fourteen years leading up to CURE – he averaged three films a year – the international film community had taken little notice of him. Involved primarily with low budget softcore porn and other films that were meant to earn the majority of their revenue on video release, much of Kurosawa’s work from 1983 through 1996 went (and still goes) generally unnoticed. Hints of the greatness he would achieve later in his career are peppered throughout his earlier films, however – often quite liberally.

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Black Line

June 16th, 2009 | article by | No Comments »
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a.k.a. Kurosen Chitai / Black Line Zone
company: Shintoho Studios
year: 1960
runtime: 80′
country: Japan
director: Teruo Ishii
cast: Shigeru Amachi, Utako Mitsuya,
Yoko Mihara, Toshio Hosokawa
not on home video in the USA
order this film from
Amazon.co.jp

Anyone who knows anything at all about the history of cinema’s seedy underbelly should find the name Teruo Ishii instantly recognizable. He’s a legend among the pantheon of Japanese cult film directors [rightfully dubbed the "King of Cult" in his native country] and most famous for the ero-guro [erotic-grotesque] pictures he produced for Toei studios throughout the 60′s and 70′s. Those who know him only for that work may find his humble beginnings, directing low budget genre fare [most famously 6 entries in the Space Giants series, better known as the Starman chronicles here in the States] for Shintoho Studios, as something of a surprise.

In 1958, in the midst of making spandex-laden Tokusatsus and crowd pleasing romances, Ishii found himself directing crime pictures as well. The most notable of these, by far, belong in the director’s five part chitai [or line] series – which kicked off with SECRET WHITE LINE [SHIROSEN HIMITSU CHITAI] in September of that year. That film, concerned with an underground prostitution ring, was successful enough that Shintoho allowed the series to continue – the thematic sequel BLACK LINE [KUROSEN CHITAI] saw release in January of 1960.

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Eyes of the Condor

May 13th, 2009 | article by | No Comments »
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Year: 1987   Company: Sahamongkol Film Production   Country: Thailand   Runtime: 89′
Director: Philip Chalong   Writers: Bancherd Thavee, Visit Santhavee    Cast: Sorapong Chatree, Douglas Dull, Krung Srivilai, Joe Samenchai

The owner of the world’s largest known diamond (the Eye of the Condor of the title, a whopping 152 karat rock) has fallen on hard financial times and, as such, organizes a fancy high-price showing in Bangkok for the rich elite of the world. The showing is held on a boat for security purposes, which is all well and good until Kenny Hemmings (or ‘Hemanning’, depending on who’s speaking – played by Chatree), a man far too cool not to be trouble, boards. It’ll be no surprise when Kenny steals the diamond during in the middle of its unveiling ceremony, but how is pretty fantastic. He distracts the guests (and, more importantly, the security guards) with a topless woman (yelling “Rape!” no less!), grabs the diamond, jumps overboard, swims to meet up with his dwarf-piloted getaway boat, and flies off into the sunset with a retractable hang glider. Cue opening credits!

But Kenny doesn’t steal 152 karat diamonds for his own health – he and his tiny sidekick are working a $200,000 contract for a wealthy European Boss (Douglas Dull, I’m assuming, but who really knows? You never hear his name very clearly, but it sounds like ‘Unlucky’). When the Boss reneges on the deal and takes to pointing guns at Kenny and his friend, all martial arts hell breaks loose. Windows break, poison darts fly, and everyone takes their turn hunting for the diamond (which is falling everywhere from ice buckets to between busty Thai bosoms). Kenny and his dwarf eventually escape with the diamond in hand, leaving the Boss with thoughts of revenge and a half dozen dead henchmen to mull over.

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Serpent’s Path

August 3rd, 2008 | article by | No Comments »
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a.k.a. Hebi no Michi
Daiei Co. Ltd [1998] 85′
country: Japan
director: KIYOSHI KUROSAWA
cast: SHO AIKAWA, TERUYUKI KAGAWA,
cast: HUA RONG WENG, YUREI YANAGI

“Do you get it?”

So says Nijima (Aikawa) when he first encounters Miyashita (Kagawa), who stumbles upon the former while he and a young prodigy are working through logic puzzles on the sidewalk. A year later, Nijima is helping Miyashita with his quest to find the yakuza responsible for the rape, torture, and murder of his 8 year old daughter Emi and using Miyashita’s former connection to the group much to his advantage.

Their first prospect is underling Otsuki, whom they kidnap from his home and chain to a wall in sound proof warehouse prepared by Nijima. Miyashita proves to be a bit hot-headed, nearly shooting Otsuki out of rage just after he is captured, and the cool, quiet Nijima is left in charge of the operation. After several days of existing in the slovenly conditions, Otsuki identifies small-time yakuza boss Hiyama as the one responsible for Emi’s death. Following the directions of Otsuki, the pair hunt down and capture Hiyama as he’s playing golf one afternoon, earning the guile of his devoted and crippled female bodyguard along the way, and chain him up next to their other prisoner.

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