Archive for the ‘Fistful of Credits’ Category


The Green Slime – Opening Credits

February 24th, 2011 | article by | 1 Comment »
Tags: , , , , , ,

The opening credits for The Green Slime offer good insight into the two biggest differences between the often laborious 96 minute American release version and the comparably brisk 77 minute Japanese cut – the music and the editing.  The American version features the Charles Fox title theme we’re all familiar with, while the Japanese is scored with a brassy cue from Toei composer Toshiaki Tsushima’s score.

As for the editing, both title sequences use the same footage, but they cut to entirely different scenes.  The Japanese cuts directly the a UNSC office, where Commander Rankin (Robert Horton) has been called to deal with an asteroid crisis, while the American credits cut to a pointless scene of Rankin’s commanding officer confronting some of his peers and walking to his office.



Star Crystal (1986) Closing Credits

February 14th, 2011 | article by | 1 Comment »
Tags: , , , , ,

In theory an alien terror film in the mold of Alien and The Thing, Star Crystal is in practice a hilariously awful science fiction absurdity the dreadfulness of whose conception should not be underestimated.  It’s impossible to really put the ineptitude of this one into words, but these closing credits (complete with an ill-advised pop number about…. Star Crystal…) should give you some idea of what to expect from it.



The Sexy Killer (1976)

November 10th, 2010 | article by | No Comments »
Tags: , , , , , , , , ,

If these crudely animated titles from Shaw Brothers don’t have you craving an old-school exploitation fix, nothing will. Sun Chung (Human Lanterns) directs this sleazy story of a nurse (Chen Ping, The Big Bad Sis) who takes violent shot-gun revenge against the drug lord (Wang Hsieh, The Super Inframan) responsible for the self-destruction of her sister.

You can read our review of the film here.



Jungle Jim in the Forbidden Land (1952)

July 12th, 2010 | article by | No Comments »
Tags: , , , ,

The eighth entry in Sam Katzman’s poverty row Jungle Jim series is one of the most amusing, pitting Johnny Weismuller (49 at the time) and an attractive new anthropologist friend against greedy ivory hunters. The nonsense plot has the ivory hunters contracting Zulu tribesmen (all white) to slaughter stock footage elephants as they cross through a forbidden land of werewolf-like giant people (more make-up by Clay Campbell, The Werewolf), and features a tour-de-force wrestling match between Weismuller and a puppet hippopotamus.

Jungle Jim in the Forbidden Land was the second in the series to be directed by Lew Landers, working from a script by Samuel Newman (of The Giant Claw fame). Aside from Weismuller, the film stars Angela Green (The Cosmic Man), Jean Willes (The Man Who Turned to Stone), Katzman regular George Eldredge and Tamba, the troublesome chimpanzee. The credits are prototypical of the series, right down to the fonts utilized, and few of the films would deviate from the format.



Battaglie negli Spazi Stellari (Battle in Stellar Space)

June 27th, 2010 | article by | No Comments »
Tags: , , , ,

Prefiguring the post-Dawn of the Dead European zombie craze by several years, Alfonso Brescia’s looney Star Wars-inspired space epic features a race of wormy, undead good-for-nothings out to conquer at the behest of the evil robotic ruler of an asteroid. Filmed simultaneously with the better known Cosmos: War of the Planets (Anno Zero: Guerra nello Spazio), the film stars Yanti Somer and John Richardson.

Aside from a bunch of groovy futuristic stuff, the opening credits also showcase Marcello Giombini’s show-stopping musical oddity ‘We Are Not Alone Here in Space’, which served as the theme song for Anno Zero: Guerra nello Spazio as well.  A full Wtf-Film review of the film can be read here.



The Living Skeleton (Kyuketsu Dokuro Sen)

June 12th, 2010 | article by | No Comments »
Tags: , , ,

Reminiscent of those for Toho’s 1958 sci-fi / crime / horror opus The H-Man, the moody opening credits to Shochiku’s tale of ghostly revenge sets the tone perfectly for the strange film to follow.  The score, in ways suspiciously evocative of John Barry’s work on the James Bond series, is by Noboru Nishiyama, who seems to have worked on little else.  A full review of the film can be found here.