Archive for the ‘Other’ Category


Music Monday – Quiet Disappointment Edition

May 14th, 2012 | article by | No Comments »
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I was singularly overjoyed this morning to discover, by happenstance, that Geoff Murphy’s memorable apocalyptic sci-fi yarn The Quiet Earth was out on Blu-ray in Germany, but singularly disappointed when a bit of simple searching later showed the disc to be a big disappointment – a 1080i PAL-speed rendering of a bright but noisy and unattractively sharpened HDTV master. Not exactly something I’m itching to put $40 down on, even with domestic DVDs of the film going out of print and no other Blu-ray in sight.

Still, with The Quiet Earth on the brain and a Music Monday post pending, I was inspired to dig out my Label X CD release of the film’s soundtrack for the first time in ages. John Charles’ score for The Quiet Earth is gripping, evocative stuff, and I’d argue more so than the film to which it is set. I’m not spoiling anything here with track 14 – Finale / Saturn Rising - as the imagery that accompanies it is plastered over practically every inch of the film’s advertising. It’s a striking image, admittedly, but I shudder to imagine how much of its brooding, nightmarish efficacy might have been lost without Charles’ contribution.

The out-of-print Label X release of John Charles’ scores for The Quiet Earth / Iris is available through third parties on Amazon.com.



Music Monday – Thrill Killing Edition

May 7th, 2012 | article by | No Comments »
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Seeing as I just bit the bullet and ordered Johnny Legend’s short order Blu-ray edition of John Landis’ expert 1963 shocker The Sadist, this Monday’s music choice was a real no brainer. The film features one of the best themes ever devised by Wtf-Film favorites Paul Sawtell and Bert Schefter (Kronos, Voyage to the Bottom of the Sea), and it’s my pick for the week:

The Sadist is out in innumerable editions on DVD (plus one Blu-ray thus far, soon to be reviewed here), all of which can be readily had through Amazon.com.



Music Monday – Inaugural (Jet) Edition

April 30th, 2012 | article by | No Comments »
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I’m taking a cue from The Horror!? on this one, because there just aren’t enough ways I subject our audience to my personal taste as it is. Anyway, I needed something awesome for Wtf-Film’s first ever Music Monday post, and nothing is more awesome than Guitar Wolf. Nothing.

Here’s Refrigerator Zero, off their 1999 album Jet Generation.

Refrigerator Zero is available as both a digital download and on CD through Amazon.



Herschell Gordon Lewis Edition

October 12th, 2011 | article by | No Comments »
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Firstly, an apology for just how slow things have been around here lately.  I’ve never been a great keeper of schedules, and Wtf-Film’s output is often unpredictable, but the past three weeks have found me less productive than ever thanks to a variety of obnoxious seasonal maladies that seem, for the moment, to have passed.  Rest assured that more substantive updates are fast approaching, for better or for worse.

In the meanwhile, I’ve prepared a brief collection of trailers that should provide a nice accompaniment to my as-yet-unfinished coverage of Something Weird’s alternately fantastic and disappointing The Blood Trilogy (Blood Feast, Two Thousand Maniacs and Color Me Blood Red) Blu-ray collection from the end of last month.  Full of the gushy crimson excesses the films themselves are infamous for, these tiny morsels of exploitation gold could be argued – most successfully in the case of 1965′s lackluster Color Me Blood Red - to be better than the actual films.  The catch phrase for that ad campaign seems especially influential in retrospect, with ads for Wes Craven’s problematic grindhouse classic Last House on the Left following squarely in its footsteps.



The Green Slime – Opening Credits

February 24th, 2011 | article by | 1 Comment »
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The opening credits for The Green Slime offer good insight into the two biggest differences between the often laborious 96 minute American release version and the comparably brisk 77 minute Japanese cut – the music and the editing.  The American version features the Charles Fox title theme we’re all familiar with, while the Japanese is scored with a brassy cue from Toei composer Toshiaki Tsushima’s score.

As for the editing, both title sequences use the same footage, but they cut to entirely different scenes.  The Japanese cuts directly the a UNSC office, where Commander Rankin (Robert Horton) has been called to deal with an asteroid crisis, while the American credits cut to a pointless scene of Rankin’s commanding officer confronting some of his peers and walking to his office.



The Green Slime – Trailer Show

February 23rd, 2011 | article by | 1 Comment »
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I’m only working up one review for posting this week at Wtf-Film – I’ll give you three guesses as to what film I’ll be covering, and the first two don’t count.  The Green Slime finally saw release on DVD on October 26th last year, when Warner issued it as part of their DVD-R-on-demand Archive Collection, and it’s taken me a while for me to catch up to it.  I’ve finally snagged myself a copy, and since Warner couldn’t be bothered to include any supplements (a big reason I’m ambivalent about their Archive Collection releases) I’ll be posting some of my own.

First up is this collection of advertising material – original theatrical trailers for both the American and Japanese releases of the film and, my personal favorite, a 60 second radio spot that succeeds in making a G-rating sound creepy.



Tommy Wiseau: In the Flesh Pt. 2

February 17th, 2011 | article by | 2 Comments »
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I’ll keep this short, and get right to the good stuff.  For the past couple of months the top search term leading people to this site has been consistent – Tommy Wiseau.  The reason?  A minor article I published announcing the cult writer / director / producer / actor’s November 19th visit to the Twin Cities, an event already four months old but that is, never-the-less, still netting me all kinds of traffic.

I had intended to write an article all about that visit, as I was in attendance, but it never came to pass.  Still, it seems such a shame to waste the pictures that I and my friends took of the event.  So here they are – Wtf-Film’s minor photographic record of The Room at the Uptown Theatre on November 19th, 2010, and of Tommy Wiseau in the flesh.  You’re welcome. Continue Reading »



Star Crystal (1986) Closing Credits

February 14th, 2011 | article by | 1 Comment »
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In theory an alien terror film in the mold of Alien and The Thing, Star Crystal is in practice a hilariously awful science fiction absurdity the dreadfulness of whose conception should not be underestimated.  It’s impossible to really put the ineptitude of this one into words, but these closing credits (complete with an ill-advised pop number about…. Star Crystal…) should give you some idea of what to expect from it.



I SPIT ON YOUR GRAVE ’78 Blu-ray, just $9.99 at Amazon.com

February 8th, 2011 | article by | No Comments »

It’s impossible for me to know what I think about this controversial piece of late-’70s rape-revenge madness, as I’ve actually never seen it.  Two of my trusted film-obsessed friends offer two very different takes on the material, one positive (Thebes at Five by Five) and one not so much (DVDSavant), and I figure those of you out there who have seen it have your own variations of the same.  To coincide with the home video debut of the 2010 remake (also unseen), Anchor Bay / Starz have re-issued the original on DVD and Blu-ray.

Amazon currently has the latter going at an absolute steal of a price: $9.99 – a full 60% off the retail price of $24.99.  I took it as an opportunity to pick up the disc myself, which I’ll be reviewing here as soon as it arrives.  Those keen on the title are encouraged to take advantage, as I’ve no idea how long this reduced price is going to last.  Here’s the link to the Amazon product page.



Tokyo Sonata – Trailer

February 8th, 2011 | article by | No Comments »
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The latest film from acclaimed director Kiyoshi Kurosawa, 2008′s Tokyo Sonata easily ranks as one of the best films of the last decade with this reviewer.  Focusing on a family in which distrust is already festering, Sonata concerns a Japanese businessman (Teruyuki Kagawa) who loses his job to outsourcing – a fact he conceals so as to save face with his wife, children and friends.  Tensions within the family quickly begin to rise, leading to disturbing consequences and a conclusion that’s as breathtaking as it is unexpected.

This is the UK trailer for the film, which is currently only available domestically on DVD.  Eureka has issued it as a gorgeous and, importantly, all region Blu-ray package (currently available for less than £10 at Amazon.co.uk) as part of their Masters of Cinema series.  A review is forthcoming, but I’ve no problem recommending this one in advance.

This one is 100% work safe, so dig in!



Nightmare City – Trailer

January 31st, 2011 | article by | No Comments »
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Released in the United States as City of the Walking Dead in 1983, Umberto Lenzi’s (Cannibal Ferox) 1980 non-zombie action shocker is shameless pulp madness from start to finish and must be seen to be believed.  Scientists investigating an accident at a nuclear power plant return to an anonymous metropolis as murderous, misshapen vampiric supermen who go after the local population with axes, chains, and even the occasional automatic weapon.  Reporter Dean Miller (Hugo Stiglitz, Cyclone) must fight for the survival of both himself and his wife (Laura Trotter, The Last House on the Beach) amidst all the schlock.

Though filled to the brim with tasteless nudity and bottom-dollar gore (including breast amputations, eye-ripping, throat slashing and a variety of exploding head shots) the real draw of Nightmare City is the absurdity of it all, from the first sight of the army of mud-faced vampire madmen to the predictable circular ending and everywhere in between.

Note: This trailer contains violence and some nudity, not to mention a lot of awfully written dubbed dialogue.  You have been warned.



Robinson Crusoe on Mars – Trailer

January 18th, 2011 | article by | No Comments »
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There’s really no guessing as to what the source material for this under-appreciated science fiction gem may have been, and director Byron Haskin and screenwriter John C. Higgins (working from an original screenplay by Ib Melchior) craft what is undoubtedly one of the more offbeat variations on the Defoe novel.  Astronaut ‘Kit’ Draper crash lands on the red planet with only woolly monkey Mona to keep him company, and must fight against the elements to survive in the inhospitable wasteland.  True to its origins, Draper eventually stumbles upon an alien slave operation and helps a fellow humanoid to escape.

Though begun with lavish intentions, the financing behind Robinson Crusoe on Mars had all but dried up by the time the project was in production – as evidenced by its occasional dependence on props, designs and even costumes from Conquest of Space, Destination Moon and War of the Worlds.  While the more epic aspects of the film (a great subterranean trek to the Martian pole, for example) were necessarily downsized, the all-important human element remains strong.  Distributor Paramount Pictures advertised Robinson Crusoe on Mars like a generic science fiction actioner, with ad art featuring the title character waving a ray-gun while flying saucers buzz about overhead.  The theatrical trailer is likewise misleading, and grossly overplays the infrequent action of the story.



Merry Kaiju Christmas!

December 25th, 2010 | article by | No Comments »
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Well friends, Kaiju Christmas is finally upon us.  Hedorah is out there spreading holiday cheer to all the good little girls and boys, with deadly sulfuric acid mist for the rest.  As festivities here draw to a close I’d like to take a moment to thank all of you for joining us – I hope you all enjoyed yourselves, and that you’ll be so kind as to join us next year for Kaiju Christmas 2011!



Terror of Mechagodzilla Trailer Show

December 24th, 2010 | article by | 1 Comment »
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Thanks are due to Wtf-Film friend of and sometimes contributor Ted Johnson for providing coverage of this, the last of the Showa-era Godzilla series, especially since I don’t really care for the film myself.  Those pesky Black Hole Aliens are back, and this time they have a disgruntled Earth scientist and his pet dinosaur to help them!

In America the property was handled by Bob Conn Enterprises, who renamed it The Terror of Godzilla and trimmed it of several minutes of footage.  U.P.A. Productions of America would retain television rights and release a mostly complete version to television under the title Terror of Mechagodzilla, complete with a lengthy prologue that blandly detailed the history of Godzilla.

In Germany distributors seem, as ever, to have been confused as to how to advertise their new acquisition, and the two villainous monsters were referred to as Konga and King Kong in their advertising materials:



Godzilla’s Revenge Trailer Show

December 23rd, 2010 | article by | No Comments »
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One of the real oddities of the franchise, Godzilla’s Revenge follows latchkey kid Ichiro as he deals with life’s difficulties through imaginary visits to Monster Island.  More drama than fantasy, it’s clear that even Toho didn’t know how to market this one – the company opted to bypass the human drama and focus almost exclusively on the monsters.  The problem is that there’s not much in the way of original monster footage in the film to begin with, and plenty of the stock footage used in the trailer doesn’t even appear in the final cut.

Released domestically through U.P.A. Productions of America and Maron Films in 1971, American advertising for Godzilla’s Revenge focuses even less on the human element, and instead decides to lie to the audience outright with regards to what the film is actually about.

Those are, sadly, the only two pieces of advertising I could locate for Godzilla’s Revenge, but since so much of its monster content was lifted from Godzilla vs. The Sea Monster and Son of Godzilla (both of which had been released directly to U.S. television a few years prior to Revenge‘s theatrical debut) I’ve included a pair of domestic television spots for them as well: