Reminiscent of those for Toho’s 1958 sci-fi / crime / horror opus The H-Man, the moody opening credits to Shochiku’s tale of ghostly revenge sets the tone perfectly for the strange film to follow.  The score, in ways suspiciously evocative of John Barry’s work on the James Bond series, is by Noboru Nishiyama, who seems to have worked on little else.  A full review of the film can be found here.